Well, I'm almost finished the 2nd movement of "unknown" (still don't have a name yet). Its drawing the story into a darker theme than the first, which means the 3rd and final movement needs to bring things right back up and beyond to finish in the right way. The good news is that I've already got some ideas for the 3rd and final piece, and its a lot more complex than the other two.. but it needs to be as I need to subtly encompass their themes into music.
I'm going to start scoring the 2nd movement very soon, and hopefully have some of the first drafts up on here. I just wish I had more time to work on these, I'm finding the entire theory and practice fascinating. I've certainly come to realise just how hard it is to do film scoring at the levels of John Williams, Howard Shore, Hans Zimmer, Dan Elfman and David Arnold etc.